CONTINUUM
Echo to hall, one move
The headline control morphs the whole engine: pure repeats on the left, pure space on the right. In the middle the reverb network is fed by the echoes themselves, so every repeat blooms a tail. Equal-power, fully smoothed, automatable.
ECHO
A serious studio delay
Tempo-synced (sixteen divisions, dotted and triplet) or free-running per-channel times, ping-pong cross-feed, feedback past 100% that self-limits through an in-loop saturation stage, loop filters that darken each pass, and wow-style modulation from subtle chorus to tape wobble.
SMEAR
The in-between maker
A diffuser inside the feedback loop turns clean repeats into washes that thicken with every pass — slapback stays crisp at zero, dub clouds and ambient smears live at the top. This is the zone most delays and reverbs leave uncovered.
SPACE
A modern modulated reverb
An eight-line modulated reverb network with two-band decay — let the lows bloom past the mids or tighten them — high-frequency damping, size from plate to vast hall, decay from 0.1 to 60 seconds, and a lossless FREEZE that holds the room forever.
DECAY PROFILE
See the space you are shaping
The display renders the actual impulse response of your current settings — tap spikes, bloom, tail — recomputed live as you turn knobs. Not a stock animation: the real engine, rendered ahead of time.
CONTROL
Mix-ready by design
Program-dependent ducking keeps the space behind the performance, width runs from mono to extra-wide, a tilt tone darkens or opens the wet path — thirty-six parameters, zero latency, click-free time glides (crossfade or tape repitch), factory and user presets.