Atmos

A 4-pole Moog-style lowpass that self-oscillates and tracks V/oct, so it doubles as a sine source. Three twists go beyond a clone — DRIFT detunes the poles, FRICTION adds per-stage saturation, TURBULENCE feeds noise into the resonance. Simultaneous LP / HP / BP outs, selectable slope, drive, and 16-voice poly.

A modulated multi-tap delay network with two independent zones and polarizing pitch drift, for smeared, gently detuned echoes that spread a sound across the stereo field.

A multi-model stereo delay with scatter reverb, themed on radio propagation. Three engines — longwave (tape), shortwave (bucket-brigade), and microwave (clean digital) — plus internal modulation, atmospheric hiss and crackle, freeze, and clock sync.

An eight-stage sequencer in the M185 / Metropolis tradition: each stage has a pitch, a pulse count, and a gate type. The count and gate-type controls are vertical sliders and patchable over polyphonic CV, so the sequence itself becomes modulatable.

Atmos modules assume the listener won't be holding still in front of a knob. Knob ranges resolve into multi-minute evolutions, modulation depths are calibrated for slow movement, and defaults sit at "interesting but not active." Patch one in and leave it.

The family uses a warm-gold accent under each panel header and layouts that favor large knobs over crowded jack rows — these are tools you set once and listen to, not modules you re-cable every measure.